War setting:
- Uncaring of individuals;
- side of human nature not often seen;
- sense of justice overly strong;
- massacre - lots of death;
- glorification of murder.
- Total lack of remorse. Qualities that make us human removed but in a very human form. Creepy, supernatural element.
- Alike to the Fates in Greek mythology. Continued about their business deciding the destiny of people without sympathy or regret. Singular eye could be an element added to a live production of Macbeth.
1.5
Lady Macbeth
- Meglomaniac
- Female equivalent of husband.
- Warrior woman, references allowing Duncan under her "battlements".
- Idea that, had she not been born a woman, she would have made a better fighter even than husband, but because is stuck in a woman's body she is limited to her station.
- Scathing of human emotion. More machine than being? Scathing even of husband's emotion. Only emotion that passes between them is lust (in Patrick Stewart version)
- Emasculates husband so that she has control.
- "Spirits in thine ear" - could reference either Weird Sisters or her own "powers".
- Symbology - Golden Rounds - Crown? Money?
- Two-faced.
- Turned on by idea of murder?
Good, concise comments. Try to have some points for each scene. Do you need to narrow war down before you consider it necdessarily gothic? Do you mean conflict? But this is in most narratives. What about gothic being more to do with characters who place themselves outside big things like war?
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